Machine Wash Deluxe is a Photoshop plugin that adds scratchy, weathering effects to your photos. The plugin comes with over 3, presets that let you texturize and alter photographs in thousands of ways to make them look old, vintage, or otherworldly. Really, this one is just fun to play with. You can take screen recordings , screen capture or screenshots of virtually anything, edit them in Photoshop, pass them on to your developer, and if your developer has questions, they can take a screenshot of your finished product, annotate it, and send it back to you.
This allows anyone to work visually on virtually any top web-based and desktop medium, so you and your team instantly know what was done and what needs to be done. If you want to streamline your Photoshop workflow and be able to gather the visual materials needed to get the job done, then consider signing up for CloudApp - it's free. Emilie Johnston. Open Photoshop.
Check the "Additional Plugins Folder" box to accept new files. Download a plugin or filter to your desktop. Open your Program Files folder and select your Photoshop folder. Open your Plugins folder, found inside your Photoshop folder. Drag your new Photoshop plugin from your desktop into the Plugins folder.
This is especially helpful if, for example, you have to hand off work to a developer on GitHub and want to ensure the developer will accurately interpret your design. Activate the timeline, drag the clips, and start assembling your masterpiece. Free Download for Mac. In general, Adobe could have done a better job of creating workspace presets that took advantage of a second display, as Apple did with Aperture. Emilie Johnston.
Reopen Photoshop and find your new plugin under Filters in the dropdown menu. CloudApp for Free. Join the communication revolution.
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Other usability improvements abound throughout Photoshop CS3. And the Print dialog box has been completely remodeled. Despite these interface improvements, Photoshop remains a daunting program for imaging newcomers. Photoshop users have long relied on features such as the Channel Mixer to control the conversion of color images to black-and-white. As for the Channel Mixer, it has also been improved and now offers its own black-and-white conversion presets. The venerable Curves dialog box gets some long-overdue attention in Photoshop CS3, gaining new controls that make it the best place to adjust image tonality.
Like the Levels dialog box its tone-adjustment partner in crime , the Curves dialog box now lets you make black-point and white-point adjustments. As with Levels, you can show shadow or highlight clipping by pressing the Option key while moving the black- or white-point slider. A histogram display, several useful tonal presets, and new curve-display options round out the revamp.
Camera Raw 4 sports a large array of new image-processing capabilities, including superb monochrome conversion and new controls for lighting, tonality curves, and color. The Camera Raw window even has a new Retouch tool that lets you do rudimentary cloning and dust-spot removal—great for getting rid of sensor dust spots that appear in every frame of a shoot.
This has some interesting workflow advantages—for example, a news or sports photographer can use it to apply nondestructive edits and submit them, along with the original JPEGs, to a waiting photo editor. On his must-read blog, Photoshop product manager John Nack has published some interesting thoughts about this. Here, a spot in the lower right corner of the image is being cleaned up. With each new version, Photoshop becomes less destructive—it gains new features that enable you to alter images without changing their original pixel data.
In Photoshop CS3, you can, for the first time, apply image filters nondestructively. Select a layer and choose the Filter: Convert For Smart Filters command, and Photoshop converts the layer to a smart object that you can apply filters to. Better still, you can change filter settings at will, and you can even reorganize the order in which the filters are applied, by changing their position in the Layers panel.
Smart filters provide more imaging flexibility, but with compromises. For example, retouching a smart object requires extra steps if you want to paint, dodge, heal, or erase: In those instances and others you must double-click on the smart object, make changes in a separate window, and then save and close to return to your image. These compromises are understandable from a technical standpoint, but they can discourage experimentation. Making detailed selections in an image is often a tendon-taxing experience.
Activate the tool and paint across an image, and Photoshop samples a range of colors or shades and draws a selection where it detects significant differences.
With subtler edges, the selection tends to stray, but you can clean up sloppy selections by pressing the Option key while painting, or by using other Photoshop selection-tweaking techniques, such as the Lasso tool. Speaking of selections, Adobe has plucked the Feather command from the Select menu. Its successor, Refine Edge, provides a dialog box that lets you feather a selection, as well as expand and contract it in various ways. This is a great enhancement for tweaking selections and layer masks created from them.
The Refine Edge command also offers new Radius and Contrast sliders for even more precise control. For serious retouchers, an even better enhancement is the new Clone Source panel. Its Overlay option lets you see a semitransparent, tracing-paper-like version of the source image beneath the brush as you paint, making it easy to precisely position your pixels—no more flying blind as you clone.
In Macworld Lab tests performed on a 2.
A suite of 16 scripted tasks performed on a 50MB image was completed nearly 39 percent faster. I tested Photoshop CS3 on two machines: Photoshop CS3 was much more responsive on the Intel-based iMac.
For example, the Quick Selection tool provides an Auto Enhance option that fine-tunes a selection when you release the mouse button. On the G5 system, delays of a few seconds were common as Photoshop ruminated.